The font is undeniably masculinesans-serif, solid, reliable. This font is an improved version of Benton Gothic font. If I were going to date a typeface, it would probably be something like Franklin Gothic bold condensed. In 1995 the designer extended this font family by the addition of Cyrus Highsmith of The Font Bureau. Most fonts are available for desktop publishing, web and apps.
FRANKLIN GOTHIC FONT DESIGN DATE DOWNLOAD
The 10 fonts below are overused and patently annoying, and we give 10 good reasons to stop using all of them. Benton Sans Font is a digital font and belongs to the Sans-serif typeface family. Try, buy and download any typeface from our collection of fonts similar to Franklin Gothic. Design work started on Franklin Gothic in 1902 although it was not issued, by American Type Founders, until 1905. Nothing is particularly wrong with Impact or Comic Sans as fonts per se, but there is a huge deal wrong with using them in every situation. This isn’t a riff on the world’s worst fonts, but rather an invitation for amateur designers and business users to stop abusing some of the world’s best fonts. It retains the personality and character of the original typeface. In releasing mega-popular suites and catering to a broad, design-illiterate audience, leading business applications such as Microsoft Word shocked us with the overused fonts that they include standard in their latest releases. The family suite of typefaces is large and adaptable and is as well-suited to web content and small screens, as it is to billboards and hard copy display ads.PCHTMLPHTMLPCHTMLPHTMLThe ITC Franklin Gothic is a reimagining of Franklin Gothic, a design that dates back to 1902. writing and design, and to work with the Communications office early on for solutions to. However, there is one reason to resent these giants: their choice of fonts. Without them, our industry wouldn’t be what it is today, and many of the world’s top designers wouldn’t have a platform for their work. They’re responsible for some of the greatest leaps forward in communications and business in the last 30 years-and many of the biggest innovations in design, too. For example, the left side of the A is lighter than the right, and the first stroke of the M is lighter than the other three.We’ve got a lot to thank Bill Gates, Steve Jobs and the computing world’s other leaders for. ITC Franklin Gothic retains all the strength and vitality typical of early American sans serif typefaces.Ĭapitals are wide (typographers would call them “square”), lowercase letters share the proportions and letter shapes of serif typefaces – and character stroke weights echo the serif-styled counterparts in that they have an obvious contrast. Although newer typeface families such as Helvetica®, Univers® and Frutiger® have the same basic proportions and attributes as Franklin Gothic, the similarity ends there. It retains the personality and character of the original typeface, with only a slight increase in x-height and character width to distinguish it from the first version. The ITC Franklin Gothic is a reimagining of Franklin Gothic, a design that dates back to 1902. The family suite of typefaces is large and adaptable – and is as well-suited to web content and small screens, as it is to billboards and hard copy display ads. Franklin Gothic (1902) Franklin Gothic Condensed + Extra Condensed (1906) Franklin Gothic Italic (1910) Franklin Gothic Condensed Shaded (1912) Many years later, the foundry again expanded the line, adding two more variants: Franklin Gothic Wide (1952) designed by John L. Benton was a prolific designer, and he designed several other sans serif fonts, including Alternate Gothic, Lightline Gothic and News Gothic. If Bruce Springsteen were a typeface, he would be ITC Franklin Gothic. Franklin Gothic may have been named for Benjamin Franklin however, the design has no historical relationship to that famous early American printer and statesman. The ITC Franklin Gothic™ family embodies true American grit: it’s square-jawed and strong-armed, yet soft-spoken.